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The RED One Camera system offers flexibility and options when it comes to workflow. The RED camera's digital format makes the production to post-production workflow seamless, allowing the footage you shoot to easily and quickly be transferred to a computer to begin the post-production editing process. At CLAi, we understand the RED camera's workflow. So, we take time to map out the best workflow from start to finish - before production begins. This means deciding whether to record 4k, 3k, 2k or 1080p, usinga 16:9 or 2:1 frame ratio, selecting the right sensitivity, shutter speed, and so on. Making the choice to output the footage our clients shoot straight to instantly editable QuickTime proxy files (at anything from 4K right down to NTSC or PAL) using Final Cut Pro or Avid, or to bring the REDLOG RAW footage into RED ALERT or RED CINE for manipulation, correction and rendering before editing is a decision that needs to be based on careful thought and consideration. San Francisco, San Jose, Sunnyvale, Redwood City, Saratoga, Santa Cruz, Burlingame, Mountain View, Palo Alto, Los Gatos, Campbell, Santa Clara, Marin, Silicon Valley, Oakland, Cupertino, East, Menlo, Pacifica, Park, Bruno, Mateo, Bay, Alameda, Milpitas. RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit, One RED, editing, 4k, edit, Rent RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit