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The digital 4k format of the RED One camera not only creates a streamlined workflow but also provides CLAi with the opportunity to color correct and manipulate any image that is under or over exposed in post, cutting out the need for re-shoots. Shooting with the RED One camera produces stellar digital 4k location or studio footage, and when in post-production it can provide advantages over traditional film and video. RAW files allow us to alter the footage in post-production, making changes one only dreams about normally - correcting overexposure and underexposure, modifying white balance and tint, and all of those other controls previously lost once you start recording. The RED One Post-production editing system allows for image reconstruction with a degree of control never seen before. Aside from the technology and workflow, the post-production challenge is exactly the same as for any other editing. With our years of experience and backgrounds in documentary and film production and post-production we really do know how to edit you RED programs. San, East, Los, Cupertino, Palo, Francisco, Milpitas, Park, Jose, Saratoga, City, Alto, Campbell, Oakland, Cruz, Mountain, Mateo, Sunnyvale, Marin, Pacifica, Valley, Menlo, Bay, Redwood, Alameda, Gatos, Santa, View, Burlingame, Bruno, Clara, Silicon. RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit, One RED, editing, 4k, edit, Rent RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit RED, editing, 4k, edit